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THE FLASH AND THE KILL

How Surfing World saved Derek Hynd from a career in insurance sales

SW by SW
7 months ago
in Culture, Featured, From the Vault, Magazine
0
THE FLASH AND THE KILL

Derek, "I was staring into the barrel of 40 years 9-to-5." Photo Hugh McLeod

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I owe these guys, as I do Terry Fitzgerald. Bruce and Hugh took a punt on me in their ‘Ride the Tiger’ issue. It bolstered bitsa money from Hot Buttered and contests and pulled me from a 9-to-5 sure thing.

At the time SW and Tracks were having their one and only bonding moment. At stake, the artform. Pillorying Mike Hurst and his Bronzed Aussies quartet over their ‘surfing as mainstream sport’ putsch mostly united the general readerships. The legrope had only just been accepted at Easter Bells, parents in support of surfing sons and daughters had rocks in their heads, most city to country beaches had feudal pecking orders and dog catchers were being bashed for good measure. The BA’s were thumbs down for the sparklers after donning velour disco jumpsuits at coastal Sydney’s ES Marks Field 440-yard track. They took a fateful lap of honour before an international athletics assembly gathered to watch world’s greatest miler, John Walker assault the mile record when they could instead have chosen to surf at Maroubra not two miles away and later check ‘Stubbsy the Elder’ spitting the winkle at traffic from his naked rear end. The day summed up the looming great divide of just what constituted core Australian surfing. The BA’s riled the mags no end.

The swallowed words and mongrel satire of ironed and pressed surfing as the glistening new sport of champions drove a stake firmly against surfing as a predominant sport. However, it paled beside the one full page SW portrait of the surfers’ surfer at Burleigh Heads that screamed instability, not just of Michael Petersen but of a shrinking artform where sport – not art – was eating the lifestyle away. Not sure if it was Bruce or Hugh’s photo but 40 years on it still evokes the mindfuck of shifting sands; the pending death of a subculture.

Later that year – pre-Christmas – I’d come out of Sydney Uni with an economics degree and was in interviews at stockbrokers and insurance companies. The gut pull of walking into what was Australia’s biggest company, AMP Insurance, was like anticipations of surf or sex… only more powerful. I was staring into the barrel of 40 years 9-to-5. In I went to be a company man. Out I came with the job starting last week of January. I’d sold them on being their man in a rising industry, surfing.

Bruce and Hugh heard of me going to Hawaii to stay at Jack Reeves’ house and glass shop on the hill above Sunset from mid-December to mid-January. I’d submitted liner notes in the back of issues for a while, minor pieces on minor things. SW’s ‘Ride the Tiger’ issue was to be the North Shore from multiple perspectives. I was the rookie.

First prearranged assignment.

My first day there was the day after the day of the season, apparently all-time. Greats were coming by to check on boards from the maestro glasser. Word was that Terry Fitz had blitzed Sunset, soul arching and high lining to take the mantle off Reno Abellira at a time when Hakman, Shaun, MR, Hawk and some days BK were also peaking. It was the freesurfing artform in full cry.

I got rotten sick from bad water. I lived on the lounge room floor on my back staring at the ceiling for most of the next four days. I’d never seen or heard a gecko before and there were plenty. There was a champion beast though. I called it Rodin. There was a blowfly too, really big one. They fed without hassling one another but then the food pool shrunk during chilly weather. So started a battle of wills. When not violently ill I was just looking straight up. I still remember the way it ultimately went down.

The blowfly was so mesmerised that it couldn’t get out of Rodin’s hour-by-hour, closer-ever-closer stalking. The luck of seeing the gecko finally claim the blowie was something else – the flash and the kill. I hadn’t put a toe in the sea but there was the story, the moke and the haole in the wake of Bugs, the BA’s and Busting Down the Door which was still heavy beef. SW ran the tale, small story, but Bruce and Hugh were encouraged and asked for more off the wall stuff.

Thus, with three forms of small income – contests, boards, and writing – I quit the job I never started and surfed a life away. Over 40 years later, point blank, opportunity at Surfing World was the tipping point.

 

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  • THE ANNUAL CAN-RATTLE FROM THE EDITOR… So here we are, three years on since Frank and I took over Surfing World to carry it forward into whatever the future holds for it. We’ve now published 12 issues independently from a spare bedroom with rats in the walls, a short pushbike ride from the surf. That’s something. From time to time I’ll pick a copy of the magazine up and flick through its pages and get a sense that we’re doing something important… and something occasionally very cool. We always said we’d take the opportunity of owning Surfing World to create something high concept, that really said something about where Australian surfing was at. In many ways it feels like the mag has come full circle back to the way it was done by Hugh McLeod and Bruce Channon in the ‘80s, creating something deep, resonant, real… a high-water mark for surf culture. But it hasn’t been easy. We’ve spent way too many late nights pulling these mags together, and Frank and I still don’t get paid. “Madness on the road to starvation,” as Frank puts it. Surfing World in many ways for us has become a not-for-profit cultural project. We do it for free to keep Surfing World alive, and having no business model has, in a way, become the perfect business model for this kind of cultural endeavour. So onward we go into another year. But to keep this show on the road we need new subscribers. That’s the lifeblood of the mag and that’s why I’m here rattling the can. Signing a friend up for a Christmas subscription will get them four issues next year – but it will also keep the flame burning here at Surfing World. As always, thanks for the support, onward and sideways. - Seano
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