• Home
  • News
  • Magazine
  • Subscribe
  • Shop
No Result
View All Result
  • Login

No products in the cart.

Surfing World Magazine
2 °c
Falkenstein
6 ° Sat
6 ° Sun
8 ° Mon
8 ° Tue
No Result
View All Result
  • Login
SW
No Result
View All Result

THE IMPOSSIBLE SUNDAY

The Eddie returns to its roots. And roars.

SW by SW
6 months ago
in Culture, Featured, Magazine, Stories
0
THE IMPOSSIBLE SUNDAY

“Just to celebrate the legacy of Eddie Aikau today,” offers Luke Shepardson as he walked up the beach. “Beautiful day.” Photo Scott Sullivan

53
VIEWS
Share on FacebookShare on TwitterShare on Reddit

By Nick Carroll

[Excerpt from SW420, available here].

“Here we are,” says Clyde Aikau. “Last of the last.” He takes a breath, holds it, and breathes out his next words. “And it sucks to be the last of the last.” Clyde’s eyes turn away, and inward. He asks the question nobody can answer. “Where everybody went?” We are sitting in the open garage space just outside the Aikau family home. The home and the garage are tucked into the western corner of a big, open piece of land stretching away and up toward one of the ridges above Honolulu. The land is lightly grassed and dotted with gravesites; this is the town’s Chinese cemetery, leased by the Aikaus since they arrived on Oahu from Maui 64 years ago. It’s a lovely sunny day with a light tradewind blowing. It’s five days since the greatest surfing event anyone’s ever seen.

Clyde Aikau on the veranda of the Aikau family home in Pauoa. “Growing up and being Hawaiian back then, at the time, it felt uncomfortable. We were beginning to know (about Hawaiian history). We started to change the attitude of not being good enough. And for me and Eddie, staying in the water, it kinda brought us closer to who we really were.” Photo Hannah Anderson

January 22, 2023. Nobody knew that day would happen the way it did. There were no portents, no sign that surfing’s most profound mythology — loss, sacrifice, and a humble yet quietly glorious redemption — was about to play out before the world’s eyes.

The entire week leading up to that impossible Sunday was as gentle and pretty a January week as I’ve ever seen on the North Shore of Oahu. Me and my buddy, Hannah Anderson were there to shoot some innocuous video projects and sneakily surf our brains out. We weren’t expecting giant closed-out Waimea Bay, spectators being washed into the lagoon, a range of people leaping into mid-air off saltwater office blocks, and a cruisy, yet naturally skilled lifeguard winning an event full of the biggest names in Charger World, during what amounted to his lunch break.

We had no idea what we were in for. But neither did anyone else. The Eddie Aikau Big Wave Invitational was 37 years old and had run just nine times, at the beck and call of the same ocean into which Eddie himself had vanished back in March 1978. If that ocean didn’t send a full day of 20’–30’ surf to Waimea, the contest didn’t happen, which usually meant it didn’t, sometimes for years. “The Bay calls the day,” in the words of the late George Downing, who’d made the Eddie call more times than any sane human should have to.

Yet much had changed in the years since George last made that call. The Eddie’s long-term partner Quiksilver had ceased its involvement with the event, and in tandem with this shift, the Aikau family had decided they wanted more say in how their brother was remembered.

Suddenly there was no mega-corpo backer or famously huge winner’s cheque — indeed for a while, nobody was super sure if there’d be any prizemoney at all. Not that anyone seemed to mind. Among the invitees, the general sentiment was best summed up by Zeke Lau: “We’re not surfing for prizemoney anyway.”

But what would a non-corpo Eddie look like? Hannah and I got a clue about that when we wandered down to the Bay early on January 21 to watch the event set-up. At that point, 24 hours before the carnage, the scene at Waimea was positively bucolic. The surf was dead flat. There was no movement in the bay; virtually nobody on the beach at all, except for some military people who were playing Frisbee.

Up in the beach park, a couple of trucks were pulled up on the grass, and some older gents were quite carefully beginning to unload some scaffolding. The whole thing had an amazingly cool club-contest-morning vibe. Around 7:30am Clyde showed up with his son, Ha’a. It was like the club president had arrived. He strode around: “Bring that truck over here! Let’s get this show rolling!”

Prompted by Clyde’s arrival, everyone got to work, but it wasn’t with the ruthless efficiency of a modern pro sports event set-up operation. Instead, there were old family friends, relatives, and a young guy who had just shown up out of nowhere and offered to help. The old blokes took their time with the scaffolding. Liam McNamara, event director, whose kid Landon was in the event, leaned against a tree and smiled. “I think we got this,” he said.

Slowly through the day, the human energy began to build, and all night it felt like the whole North Shore was engaged in an awkward kind of party. It was really hard to sleep — not because of any tension surrounding the day to come, but because there was so much noise. People everywhere, dogs barking, sirens, yelling.

 

Around 1am, the swell hit Buoy 51001, a few hours from Oahu, at full force: 23 feet at 19 seconds — exactly what Ross Clarke-Jones kept saying when he pulled up around 5am to give us a ride to the Bay. “23 feet at 19 seconds!” he half yelled. “23 at 19! We go!”

As soon as we pulled out on to the Kam Highway it became super obvious why the night had been so hectic. Thousands of people were scattered up and down the highway east and west of Waimea, trudging through the pre-dawn blackness toward the Bay and dragging with them everything you could imagine – pillows, blankets, coolers, baby carriages, tents, surfboards, bike trailers, the lot.

The traffic was insane. Amid the glare of headlights and roadside dust and flashing cop-car lights, the surfers themselves were trapped. Mark Healey and Billy Kemper were five cars apart a kilometre from the Bay for nearly an hour, calling each other.

“Where are you?”

“I’m here?”

“What?”

“How are we gonna get there?”

Emi Erickson listened to Led Zeppelin while husband Mike tried to find a way through. Emi is a cool cat, but this was Eddie morning. “I gotta… surf!” she yelled to a truckie who wouldn’t let her pass. They pulled on to the wrong side of the road, where a cop told them, “Yeah, just go.” So, they did.

A few cars away, Pete Mel and Jamie Mitchell sat and gazed at the human traffic in quiet amazement. “Like fricken… Woodstock,” breathed Jamie.

He was right — but this was no Woodstock. Up ahead of them, people were climbing on to concrete barriers on the roadside, trying to gaze into the half-light. Trying to see what 23 feet at 19 seconds looks like.

 

Clyde is trying to tell us the story of Eddie. I could recall Clyde telling me the same story, 33 years ago, back in early 1990, just weeks out from the Eddie that changed history. The 1990 Eddie, with Brock Little and the barrels and the impossibly sketchy drops, eventually won by Keone Downing, George’s son.

That was the year when everyone saw what the Eddie might become. Back then, we sat up underneath the heiau above the Bay one sunny afternoon and Clyde told me the story over three hours of carefully recalled, at times meticulous detail. Now he told it with much of that detail stripped out, yet with the physical and emotional core intact. Somehow, it had even more power.

I realised we were hearing a story that was in the process of becoming a myth — a tale boiled down to its essence, easily told and easily repeated, designed to be thrown through time, far down the generations, to land who-knows-where. Myths developed like this can travel through cultures for hundreds, even thousands of years. Like the story of Maui the fisherman, who drew up the Pacific islands with his line and hook, or the Aboriginal stories of the coast during the sea level rise 10,000 years ago. Little story seedlings with a grain of something at their core, waiting to be re-grown.

This one’s managed to travel for about 50, so far. Maybe it’s the only story in all of surfing.

I was stunned to hear from a number of people who are really au fait with surfing and been around for a long time in some cases, that they really didn’t know the story of Eddie Aikau at all, that they just had a larger-than-life figure in their imagination, and they knew more of the contest than they did of Eddie himself.

So here it is.

Edward Ryan Aikau, born on Maui, May 4, 1946 to Solomon and Henrietta Aikau, third of six children: Frederick, Myra, Edward, Gerald, Solomon III and Clyde. Hawaiian to the bone. In early 1959 Sol – ‘Pop’ – moved the clan to Honolulu, to give the kids a bigger start in life.

“We all went to school just here,” says Clyde, walking us around a corner of the property, and pointing to a bunch of kids running around the Pauoa Elementary School playground. Well, not all of them. Clyde was given to study — eventually he went to the University of Hawaii and pursued a degree in sociology. Eddie’s mind was mostly just on the water. He was a quiet kid who rarely went to school and rarely fell ill. The family called him Ryan more than they called him Eddie. He and Clyde made little paipo boards out of plywood and surfed The Wall at Waikiki with the rest of the grommet population.

By the time he was 15, Eddie was definitely king of The Wall. But could he be king of anything else?

These kids were stuck in the backwash of a raw act of colonialism: the US-business-led destruction of Hawaiian sovereignty, and the re-invention of Hawaii as both a forward base for the US military and as a hula-hoop postwar holiday franchise for mainland America.

“Growing up and being Hawaiian back then,” says Clyde, then stops. He is looking for the exact word and finds it. “At the time, it felt uncomfortable to be Hawaiian.” Imagine. Uncomfortable in your own land. How do you find your way through that?

Clyde cuts to the chase. “Haoles came in and took everything,” he says. “I’m not one to grumble about it, but it’s a fact, even today. By your laws, you had no right to be here. And you took it and bent it so you could be here.

“We were beginning to know (about Hawaiian history). We started to change the attitude of not being good enough. But for a while, growing up in our youth, it felt uncomfortable.

“And for me and Eddie, staying in the water, it kinda brought us closer to who we really were.”

Water as belonging. That’s how Eddie became the first great Hawaiian surfer at Waimea. That’s how, in 1968, he got the first and only lifeguard job on the North Shore. That’s part of how he ended up on Hokule’a.

But only part.

John Florence, 6.34am buoy check as Waimea emerges from the dark, roaring. Photo Arto Saari

At 6:20am, the first closeout set hit.

A Bay closeout is an amazing thing. The horizon darkens and lifts, like a cloud is passing across the sun. Then you realise it isn’t a cloud.

The second wave of the set shut down the entire bay, faded slightly as it rolled, and half-reformed off the left side, everything moving slowly, or seeming to, the way truly big waves always seem to happen in slow motion. Until they get to you.

Twenty minutes later, Clyde stepped down out of the judging tower and with great gravity, announced what the now 30,000-strong population of Waimea Bay had pretty much already guessed: “The Eddie will be on.”

Hannah and I roamed, with her big cinema-quality camera and my notebook, following our noses around through this astounding blue-sky morning, as the wind gently died off to glass, and set after set poured into the Bay — one every six minutes, every second one closing out.

The whole scene quickly resolved itself. On the one hand there was the humanity: that massive crowd, gathering along what passes for Waimea’s foredune, climbing rocks and trees in order to get a better look, and occasionally being caught by a surge of water from a closeout set, while the lifeguards issued stern warnings on the tower PA: “Stand back! Down in the corner, watch this surge!”

On the other hand was the surf zone, almost impossibly majestic and terrifying, a constant presence even if you tried to avert your gaze — not that anyone could, at least not for a good while that morning. It was like watching a wildfire from a place just too close for comfort.

In between was a foam-swept DMZ, a space where nobody lingered. You crossed that space at a run, or at as much of a run as you could muster, and you did not stop until you were in the water or well clear of it.

Theatre at its grandest.

Mason Ho falls out of the lip while Lucas ‘Chumbo’ Chianca swings underneath. Photo Mike Coots

Can you imagine being an invitee at such an event? The invitees didn’t have to imagine it. They were in it, even though not everyone knew who they were. Emi showed up at the check-in tent to get a pass and had to convince the lady behind the desk that she was actually there to surf.

Mike Ho and Billy Kemper formed a little two-person team. It was hilarious to watch. Billy took great delight in helping Michael figure out an inflation vest — Michael, the only surfer in the event to have surfed with Eddie, the living embodiment of a time when you just wore boardies and hoped your legrope didn’t break. In turn Michael was totally intrigued by the device, though when he actually tried to use it, the thing didn’t inflate. “I pulled it, and nothing happened!” he told an even more delighted Billy later.

But Ross was the surfer who broke the day open. It took a while before anyone got Waimea’s range on January 22. Water was pouring into the Bay with each successive closeout, then trying to escape around the shallows of the reef and out to sea, turning the normal takeoff zone into a huge draining rip bowl. Fighting that water was a crazy person’s game, but people were trying — nudging in close to the reef, battling to catch one and mostly failing, then having to dash back out to get over the next closeout set.

But Ross got a lucky break — a 20-minute lull, right at the start of his heat. During the lull he’d made a deliberate choice not to chase insiders the way his heat-mates did. When the horizon darkened again, he’d moved out and wide of the ledge. And boom.

It was the first big score of the morning, and it seemed to unlock something. Within an hour three 10s had been scored. Within another hour, people were taking off on things they shouldn’t have thought they could make, and occasionally they were right.

Watching this first phase of January 22, it steadily dawned on me — the genius of what Clyde and Liam had done. Not only had they busted open the Eddie to women like Emi and Paige Alms and Keala Kennelly, they’d busted open the entire invite system. Suddenly there was Jake Maki, the 18-year-old goofyfoot with a permanent grin and a pure stoke attitude, the gifted Keali’i Mamala, and 60-year-old Bay veteran Chris Owens, who came off the alternates list after Kelly Slater pulled out.

None of these people would have been invited to an Eddie in the past. Nor would Luke Shepardson, quiet and little-known outside his circle of fellow chargers — Luke who unlike any invitee in any Eddie ever, actually had a job. “I had to earn my time off today,” he told us later, smiling almost shyly. “I got three hours!”

Thus, Luke spent most of January 22 in the red and yellow lifeguard uniform, warning the crowd of big sets, anticipating problems, patching up surfers as they came in bleeding or shaken, or just watching the scene unfold from the lifeguard tower, from the same angle Eddie Aikau would once have viewed the Bay.

Full story available in SW420, on sale here.

By the afternoon, closeout sets rolled in like clockwork. Photo Scott Sullivan
ShareTweet
Tags: Big WavesEddie AikauHawaiiNick Carroll
  • @kainehe_hunt Backwall. 📹 @kuioyoung
  • A SURFING WORLD CHRISTMAS

A Surfing World subscription would make a perfect Chrissie present for anyone in your surf crew.

An Australian classic, Surfing World is published independently from a spare bedroom, four times a year, with 180-page issues.

A high water mark of surf culture, SW “turns surfing gods into ordinary people, and ordinary people into surfing gods.”

Your subscription will not only guarantee you a year of good surf, you’ll also be supporting the world’s oldest and greatest surf mag.

Subscribe your friend, family member (or yourself) to SW for Christmas, link in bio.

📹 @urchin_janjuc
  • MASH by @james.kates and @ilovetables has just gone live. 

There’s something happening right now. It’s raining epic, underground indie surf films. We’ve got a piece in SW422 (at the printers right now, on sale in a week or so) about this run of mind bending films out right now that are bypassing the whole churn and burn digi content tsunami, and instead are doing these slow burn, high art, underground projects screening in bowlos, pubs and town halls to stoke out local crew, before going anywhere near online. @russellbierke @harrybryant @torrenmartyn and now @ilovetables have all released epic movies and toured them for the punters first, bringing core surf towns together to celebrate core waveriding. 

It feels like a return of independent surf cinema and it’s fucking great. You can download MASH for $12, and you know what… that’s better than watching it for free. Noz and Katesy have made something special - surfed, filmed, edited and scored it themselves - and it’s fucking unreal. We should be encouraging more projects like this. 

Jim has the link in his bio if you wanna grab it @james.kates
  • THE ANNUAL CAN-RATTLE FROM THE EDITOR… So here we are, three years on since Frank and I took over Surfing World to carry it forward into whatever the future holds for it. We’ve now published 12 issues independently from a spare bedroom with rats in the walls, a short pushbike ride from the surf. That’s something. From time to time I’ll pick a copy of the magazine up and flick through its pages and get a sense that we’re doing something important… and something occasionally very cool. We always said we’d take the opportunity of owning Surfing World to create something high concept, that really said something about where Australian surfing was at. In many ways it feels like the mag has come full circle back to the way it was done by Hugh McLeod and Bruce Channon in the ‘80s, creating something deep, resonant, real… a high-water mark for surf culture. But it hasn’t been easy. We’ve spent way too many late nights pulling these mags together, and Frank and I still don’t get paid. “Madness on the road to starvation,” as Frank puts it. Surfing World in many ways for us has become a not-for-profit cultural project. We do it for free to keep Surfing World alive, and having no business model has, in a way, become the perfect business model for this kind of cultural endeavour. So onward we go into another year. But to keep this show on the road we need new subscribers. That’s the lifeblood of the mag and that’s why I’m here rattling the can. Signing a friend up for a Christmas subscription will get them four issues next year – but it will also keep the flame burning here at Surfing World. As always, thanks for the support, onward and sideways. - Seano
  • @floresjeremy at home in the tropical fish bowl. 📹 @timmckenna
  • TC Mal Meninga
  • Still out there doing his thing at 63. @jimbanksurfboards, Uluwatu. 📹 @bretoncarasso @islandbrewing @uluwatusurfvillas
  • @ian.walsh on his European vacation. 📹@laurentpujol
Vimeo Instagram Facebook Twitter

Categories

  • From the Vault
  • Culture
  • On The Blower
  • Featured
  • SW Film
  • Uncategorized
  • Magazine

Company

  • Home
  • Download Media Kit
  • Terms and Conditions
  • Terms & Conditions of Advertising
  • Privacy Policy
  • Contact

CONTACT

letters@surfngworld.com.au

CUSTOMER SSERVICE
Justine Elderfield
subscriptions@surfingworld.com.au

ADVERTISING SALES

Sean Doherty
advertising@surfingworld.com.au

No Result
View All Result
  • Home
  • News
  • Magazine
  • Subscribe
  • Shop

© 2022 Surfing World Australia Pty Ltd

Welcome Back!

Log in to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In

Activate Digital Access

Please enter your email address and customer number

Recover Customer Number

Recover Customer Number

Enter the email address that we have on file for your subscription to have your customer number sent there.

If your subscription is via gift or 3rd party and we don't have your email on file, please contact us to with your delivery name and address at subscriptions@surfingworld.com.au

Are you sure want to unlock this post?
Unlock left : 0
Are you sure want to cancel subscription?